Drishyam 3 Review: Vijay Salgaonkar’s Eyes Tells You Everything

Ajay Devgn returns as Vijay Salgaonkar in Drishyam: The Conclusion, bringing back the quiet intensity, calculated expressions and psychological mind games that made the character iconic. Early reviews praise the performances and suspense, although opinions differ on whether the finale delivers the grand farewell fans expected.

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Oct 3, 2026 - 12:31

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Drishyam 3 Review: Vijay Salgaonkar’s Eyes Tells You Everything

Drishyam 3 Review: Vijay Salgaonkar’s Silence Is More Dangerous Than Ever

Sometimes, a single expression tells you everything you need to know about a character. Vijay Salgaonkar does not need to shout, threaten anyone or explain what is going through his mind. That familiar, calculating stare—quiet on the surface but impossible to read—has become one of the defining features of Ajay Devgn’s performance in the Drishyam franchise. In Drishyam: The Conclusion, that look carries the weight of everything Vijay has done to protect his family and every secret that continues to follow him. The Hindi film arrived in cinemas on October 2, 2026, with the promise of bringing Vijay’s story to its final chapter.

Ajay Devgn Returns as the Man Who Always Has a Plan

What makes Vijay fascinating is that he has never been a conventional hero. He is an ordinary man who uses his knowledge of films, his understanding of human behaviour and an extraordinary ability to anticipate other people's moves to stay ahead of the authorities. Yet the story has always carried a moral complication: the same intelligence that protects his family also helps conceal the truth. Devgn's controlled performance captures that contradiction. He says little, reveals less and makes even an ordinary conversation feel like part of a larger plan. Early reviews have praised his return to the role, although critics disagree about whether the final film delivers the farewell the franchise deserves.

A New Investigator Changes the Game

This time, Vijay faces a formidable opponent in Rajveer Singh Tomar, played by Jaideep Ahlawat. The new investigator brings a different kind of pressure to the familiar cat-and-mouse game, forcing Vijay to confront the possibility that his carefully constructed story may no longer be enough. Tabu also returns as Meera Deshmukh, whose grief and determination remain tied to the mystery at the centre of the franchise. Reviews have singled out Ahlawat's performance as one of the film's major strengths, while Prakash Raj adds another strong presence to the investigation. Their arrival gives Vijay opponents who can challenge him intellectually rather than simply repeat the pursuit seen in earlier films.

Does the Final Chapter Deliver?

The early critical response is positive overall, but not unanimous. The Indian Express awarded the film 3 out of 5 stars, praising Devgn and Tabu while questioning whether the ending reaches the emotional and dramatic heights expected of a franchise finale. Cinema Express, meanwhile, gave it 3.5 out of 5, highlighting the twists, turns and final mystery. The difference in these reactions reflects the challenge facing Drishyam 3: audiences are not simply looking for another clever escape. They want a conclusion that rewards years of following Vijay's increasingly complicated battle with the truth.

And that is why the expression in this image feels so fitting. Vijay looks like a man who has already considered several possible outcomes but cannot be certain which one awaits him. Is he planning his next move, recognising that the past has finally caught up with him, or hiding something even the audience has yet to understand? That uncertainty has always been the franchise's central appeal. Vijay Salgaonkar's greatest weapon has never been his ability to explain himself—it has been his ability to make everyone else question what they know. Drishyam: The Conclusion asks whether that skill can carry him through one final confrontation. The answer, without revealing the film's twists, is a thriller that has drawn praise for its performances and plotting, even as its ultimate farewell remains a matter of debate.